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Tempio della Concordia

Paintings Straw threads
Single artwork

700,00

Description by the artist

I come from Castronovo, inland Sicily and I grew up with the colors of grain: from the green mountains of spring to the golden yellow ocean of summer. And from the ears of grain I invented my art. Artwork made with  straw threads  (grain and oats). Unique technique in the world. Straw threads glued on light blue or blue cardboard, background made by hand in watercolor. The shading and depths are made using the same straw with lighter and darker shades and gradations.

Details and dimensions

Materials: Straw threads
Dimensions (cm): Height 30, Width 40
Weight (kg): 1.300
Handcrafted in Sicily

The artwork in the Sicilian culture

By the Governance of Sicilian Artisan Foundation

241 BC, Sicily was conquered by the Romans who replaced the Greeks by making Zeus, Jupiter, and so on for the other gods of Olympus. For Catone the Censor the island was “the granary of Rome“. Sicily alone exported about 3 million quintals per year to the capital. Even today, especially the center of the island, is an endless expanse of grain, as if it were sea, which makes it particularly characteristic landscape: deep green in winter and spring, and blinding yellow in the summer months.

The temple of Concord is one of the most beautiful monuments in the world, still there, soaring into the sky, after about three thousand years, witness to the power achieved by the Sicelioti (the Greeks of Sicily). The temple of  Concord is one of the monuments of the amazing Valley of the Temples, where temples, almonds, prickly pears and ruins of the ancient Akragas (Agrigento today), enchant even the most disenchanted of visitors. The imperious Doric columns date back to the fifth century BC. The temple of Concordia is, together with the Parthenon of Athens, the best preserved Doric temple in the world.

 (photo)Agrigento, view of the valley with the medieval on the left and severa lGreek temples below, cc 1751

The Governance also suggests

The objective of the Governance is both to safeguard the traditions and ancient crafts of the people of Sicily, and to sustain economically the Artisans and the Artists, both the real ethno-anthropologists of the country.
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